Development – Governance for Culture – Human Rights
Re|Shaping Cultural Policies: Advancing creativity for development
2005 Convention Global Report
UNESCO 2017 :: 252 pages ISBN 978-92-3-100256-4
Executive summary [excerpts]
The 2018 Global Report analyses further progress achieved in implementing the UNESCO Convention on the Protection and Promotion of the Diversity of Cultural Expressions (2005) since the first such report was published in 2015. It is the work of ten independent experts, who have worked together with the Secretary of the Convention and her colleagues, as well as BOP Consulting and the Principal Editor.
Goal 1 – SUPPORT SUSTAINABLE SYSTEMS OF GOVERNANCE FOR CULTURE
Goal 2 – ACHIEVE A BALANCED FLOW OF CULTURAL GOODS AND SERVICES AND INCREASE THE MOBILITY OF ARTISTS AND CULTURAL PROFESSIONALS
Goal 3 – INTEGRATE CULTURE IN SUSTAINABLE DEVELOPMENT FRAMEWORKS
Goal 4 – PROMOTE HUMAN RIGHTS AND FUNDAMENTAL FREEDOMS
The first and leading goal is to support sustainable systems of governance for culture that contribute to the implementation of SDGs 8, 16 and 17. This challenge is addressed in the four chapters that make up the first section of the Global Report….
The second section of the report relates to the goal of achieving a balanced flow of cultural goods and services and the mobility of artists and cultural professionals worldwide that contributes to the implementation of SDGs 8 and 10…
The third implementation goal of the Convention set out in 2015 was to advance the long-standing cause of integrating a cultural dimension in sustainable development frameworks that contributes to the implementation of SDGs 4, 8 and 17….
The final section of the report is devoted to a key principle of the Convention that has come to the fore in recent years, namely the promotion of human rights and fundamental freedoms of expression, information and communication that contribute to the implementation of SDGs 5 and 16.
…The final chapter is devoted to artistic freedom, which is germane not only to the being and creative practice of artists themselves but also to the rights of all cultural producers and audiences. But today, this freedom is increasingly under attack by a range of factors and forces, both governmental and nongovernmental. The chapter reports that attacks on artistic freedom in 2016 perpetrated by both State and non-State actors, mostly against musicians, showed a significant rise compared with 2014 and 2015. Yet, progress has been made in understanding the importance of artistic freedom for the successful protection and promotion of artistic expression itself….